THE STORY
In late spring, as quarantine days started to morph into weeks, with uncertainty of the situation being an inevitable companion for the foreseeable future, I started to look for ways to deal with the reality we were confronting as individuals and as a family. Since childhood my coping mechanism has been to play my instrument, and over the years a repertoire list, one I constantly add to as I go through life, developed in my mind. These are pieces that inspire me, that energize or soothe, evoke memories or serve as emotional escapes in challenging times.
In late 2017 I was introduced to Chopin Etude Op. 25 No. 7 by Yuko Gordon, who is a great friend and a fantastic pianist. We considered it for a potential collaboration. I fell in love with the piece but kept hearing it in my mind as a viola trio or a quartet. I created a transcription of it, and with my phone’s voice recorder tested out how multiple parts would sound together. These initial experiments gave me hope that I could create a recording. Shortly after I transcribed it, a friend, who is a photographer, approached me about a possible collaboration on a video, but time constraints and scheduling difficulties got in the way. I had to put aside work on the audio, and the project never came to be.
Since then I continued to think about the piece often, and in my imagination the audio and video were beginning to take shape, but as my vision became more defined, I realized that it’s a project I wanted to do on my own for all that involved audio, and with my dad for anything that involved the visual elements. That meant embarking upon a challenging process which would require significant amount of energy and time.
This spring, as COVID-19 raged throughout the world, and grim pictures from Italy, a place I visited just a year earlier, started to appear on the news, I found myself often pouring over the pictures of my travels, and time and time again the opening melody of Chopin etude would pop into my mind. One of those days I decided to look over the score I transcribed two years earlier, to see if I’d want to work on this piece. It seemed a perfect mix of melancholy and hope, of energy and peacefulness, a creation I could find refuge in during these tumultuous times.
And so, work on the Chopin project began...