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THE STORY

In late spring, as quarantine days started to morph into weeks, with uncertainty of the situation being an inevitable companion for the foreseeable future, I started to look for ways to deal with the reality we were confronting as individuals and as a family. Since childhood my coping mechanism has been to play my instrument, and over the years a repertoire list, one I constantly add to as I go through life, developed in my mind. These are pieces that inspire me, that energize or soothe, evoke memories or serve as emotional escapes in challenging times.

In late 2017 I was introduced to Chopin Etude Op. 25 No. 7 by Yuko Gordon, who is a great friend and a fantastic pianist. We considered it for a potential collaboration. I fell in love with the piece but kept hearing it in my mind as a viola trio or a quartet. I created a transcription of it, and with my phone’s voice recorder tested out how multiple parts would sound together. These initial experiments gave me hope that I could create a recording. Shortly after I transcribed it, a friend, who is a photographer, approached me about a possible collaboration on a video, but time constraints and scheduling difficulties got in the way. I had to put aside work on the audio, and the project never came to be.

Since then I continued to think about the piece often, and in my imagination the audio and video were beginning to take shape, but as my vision became more defined, I realized that it’s a project I wanted to do on my own for all that involved audio, and with my dad for anything that involved the visual elements. That meant embarking upon a challenging process which would require significant amount of energy and time.

This spring, as COVID-19 raged throughout the world, and grim pictures from Italy, a place I visited just a year earlier, started to appear on the news, I found myself often pouring over the pictures of my travels, and time and time again the opening melody of Chopin etude would pop into my mind. One of those days I decided to look over the score I transcribed two years earlier, to see if I’d want to work on this piece. It seemed a perfect mix of melancholy and hope, of energy and peacefulness, a creation I could find refuge in during these tumultuous times.

And so, work on the Chopin project began...

SHEET MUSIC

When I originally transcribed Chopin Étude Op. 25, No. 7 in the spring of 2018, the instrumentation was for a Viola Trio. After a couple of months I created another arrangement for 2 Violas and 1 Violin, which was performed by my students and myself, and when I created this video I created and performed another arrangement, for Viola Quartet.

All three of these versions are available for purchase from sheet music plus, where you can also view PDF samples.

THE PROCESS

All of my recordings since early 2000s were done on an old Sony Vaio, which I had grown accustomed to. It had an ancient version of Sound Forge DAW installed around 2003, possibly even earlier, which only had capacity for working on one stereo track at a time. Multi tracking was not an option, and the closest I could come to having multiple voices involved a “paste special” function, the use of which was cumbersome and slow. Knowing the complexities involved with recording Chopin, having once attempted to create audio using this software, I decided to explore other software options. My Mac came with pre-installed GarageBand, which up to that point I hesitated to use. I decided for the sake of this project to try it out and was pleasantly surprised by the possibilities it offered!

I experimented with using metronome and varying the order in which I recorded the voices. Periodically I sent these rough drafts to my friend, pianist Yuko Gordon, for her feedback. We discussed voicing, articulation, pacing, and her suggestions were incredibly helpful! She also confirmed my suspicion that the use of metronome came across in choices of phrasing and tempo. And so the process changed. I eliminated the metronome and played around with what voice order of recording would work best. It turned out that recording the melody first, making sure I was imagining the other parts playing with me, followed by recording the rest of the parts while listening to the melody on wireless earphones worked well.

While figuring out the final order for the audio recording, I was also trying to decide what to do with the video. Initially I wanted to focus on Italy, look over my travel pictures and select footage of the Mediterranean, sites in Tuscany, and a few pictures of Florence, but just in case I decided to look at pictures from prior travels. It was then that I saw a picture I took in the south of France of a room with high arches and a hint of Mediterranean sea at a distance. I superimposed some of my green screen tests onto the image and something about the combination of Chopin and the appearance of the room felt right. The vision for the overall look came together in my mind. I raided my closet and chose potential outfits, ran a few additional video tests, selected makeup and physical positions: seated for the melody and standing for the rest. The filming day was selected and video shoot began. It was a nighttime shoot, exhausting and exhilarating at the same time. Thanks to all the prior tests everything was well prepared on logistical front: I made numerous check lists for every imaginable part of the filming process and things ran relatively smoothly. Once the audio and video footage were taken, I decided to give a try to mastering the audio in Logic Pro X, when it was running a 90 day free trial, which worked out well.

After completing the mastering process, I submitted the audio for digital distribution in late June. That’s when the fun really began. I had to resubmit my recording multiple times because, among other things, I needed to confirm that despite multiple parts being heard, I was indeed the only person playing. For the final resubmission I had changed the initial artwork for the audio track, which featured a portrait of Chopin, and instead created a cover with four pictures of my face. That turned out to be enough to put that issue to rest and my audio submission was finally approved in the middle of August!

The delay in release of the audio turned out to be a blessing for the video portion of the project! I used free version of DaVinci Resolve video editing software, which I experimented with a couple of times in the past, but which, for the most part, was new to me. The nearly two extra months of waiting for audio submission to be approved gave me time to learn more about editing and cropping out green screen, and a chance to consider in more detail all other aspects of the video. I experimented with placement within a room. I also decided that since one of the parts I played was rhythmically identical to another I eliminated it from the video, creating a more open feel in the space with three of me rather then four. I considered adding my doggie into the mix, but ultimately decided to do another video project in which my doggie can be the main attraction :) When approval finally came, the video was almost finished. I added titles, cleaned up an error I made when working on green screen (at one point there were a few seconds when it looked like I pierced through the couch with my bow), and the video was done!

With Chopin project now complete, I am ready to tackle new projects. The experience was amazing, and I learned more than I could ever imagine!

THE GEAR

This is a small selection of the most essential items I utilized for this recording and video. I already owned the camera, green screen and lights, as well as microphones from past projects, and the two things I did purchase from this list when COVID hit were Scarlet digital audio interface, which I also utilize when I teach (I use external microphones during Zoom sessions), and the Ring Light.

The links below are Amazon affiliate links. If you choose to purchase any of my recommendations through these links, you won’t pay anything extra, but part of your purchase will help support redviola.com

Complete list of gear is coming soon!

Oktava MK-012-02 MSP4

AKG Pro Audio C214

Focusrite Scarlett 2i2

Nikon D7500

Green Screen Background

Ring Light, Pixel 19"

CONTACT

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©2024 Victoria Voronyansky